Georg Jensen was born 1866 near Copenhagen, into a working class family. He had little formal schooling, and at the age of 14 was apprenticed to a goldsmith. His real love was sculpture, which he was eventual to study at Copenhagen’s Royal Academy of Art. After graduating, Jensen was unable to make a living as a sculptor and set up a pottery studio. His work was successful enough to allow him to travel in France and Italy, where he was influenced by the currently-fashionable Art Nouveau style. On returning to Copenhagen, he took a job with a silversmith.
A 1920s George Jensen silver tazza, pattern 446, designed by Georg Jensen, the flared bowl with lightly planished surface, to the five foliate filigree junctions and elongated stem, beaded border and spreading petalled base, Maker's marks for Georg Jensen, stamped 446, Danish Assay marks, Christian F. Heise to base, import marks for Stockwell & Co., London, 1927 to bowl, height 19.5cm, gross weight 14.3ozt. Illustrated in Georg Jensen Design, Janet Drucker, catalogue page 50.
Georg Jensen set up his own shop in Copenhagen in 1904. Although he later became famous for his flatware (cutlery) and hollowware (bowls, jugs, tea sets) silver work, he started off making small pieces of jewellery as he couldn’t afford large stocks of silver. His jewellery work, which included brooches, earrings, bracelets and necklaces, was heavily influenced by organic shapes such as leaves, flowers and fruit. He also incorporated ivory and semi precious stones into some pieces.
A Georg Jensen 'Moonlight' silver and moonstone brooch, pattern 159, the foliate openwork design with circular moonstone cabochon accents, maker's marks for Georg Jensen, import marks for London, 1995, diameter 4.4cm, gross weight 16.5g.
Georg himself died in 1935, but his company has gone from strength to strength and now has retail outlets in over a dozen countries worldwide. On his death in 1935, the New York Herald called Georg Jensen ‘the greatest silversmith of the last 300 years,’ and his work is still held in similar regard today. He was enormously influential both in his own right and through the team of designers he worked with, and pieces from all periods are popular. His personal philosophy was that each piece should be both beautiful and functional, which gives his work a timeless appeal. Especially sought after are mixed media pieces made from silver and precious stones or ivory.
A selection of silver and gem-set Georg Jensen jewellery, sold in our Fine Jewellery Sales, view each piece in more detail through our Lot Archives.
A great attraction of the Georg Jensen jewellery range is the number of styles available under the influence of the company’s different designers. From Arts and Crafts to Neo-Classical, there’s something to appeal to every collector, with each piece retaining an overall unifying Georg Jensen feel. Some enthusiasts focus on collecting the work of a specific designer, and each piece should carry an individual mark according to who made it. The most sought after is Georg Jensen’s own work from around 1905 to 1914.
If you have a piece of Georg Jensen you would like to consign through one of our specialist Fine Jewellery, or 20th Century Design Auctions, contact our specialist via email firstname.lastname@example.org or give us a call on 01270 623 878 to arrange a valuation appointment to suit you.
On the right of this page you will see a few highlights of Georg Jensen jewellery we've sold - to see more, including prices and dates, search our sold lot archives.
Below are a few highlights, or click here view all Georg Jensen in our Sold Lots archive.